Electronic Orange - handmade boutique guitar pedals
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14.8. I provide free tracked international shipping to the USA, EUROPE and few other countries.


12.12. I'd like to proudly announce that my long awaited take on Fuzz Face, called Diamond has been finished, and you can order it.

Follow me on Instagram and Facebook.

Al Anderson of The Wailers (Bob Marley) had heard the Bananaboost somewhere in L.A. and he promptly ordered one for himself :) These beautiful moments are absolutely worth all the sweat.


Howdy! You can pay in USD if you please, and with a pretty friendly conversion rate :) The majority of my customers have been Americans and so this may help you guys.


23.4. I am very happy to announce that i've got four pedals in "Nick Mason's Saucerful of Secrets". Garry Kemp is occasionaly rocking his Moon Vibe MkII, and Lee Harris uses Pig Hoofs and Bananaboost. I saw the band in Lipzig, the sound was amazing (it made me feel very, very proud).


23.9. Lee Harris of The Blockheads is a happy Pig Hoof MKII owner.

20.1. Gilmourish.com have published a review of my Bananaboost.


5.8. Andrzej Kwiatkowski send me a video, where he presents an excellent combination of Pig Hoof MkII and BK Butler Tube driver.

2.7. I finally released an improved Bananaboost. This one is 18V based, with plenty of headroom and a new look.

1.1. Guns N'Roses drummer, composer and guitarist Matt Sorum owns two of my pedals - Pig Hoof a Moon Vibe MkII.


20.8. Gilmourish.com have published a review of my Moon Vibe MkII.

8.5. The long awaited Moon Vibe MkII has been released today, with very short waiting list.

2.5. 27.05. Gilmourish.com have published a review of my Pig Hoof MkII.


03.11. Widara company has released my design of a simple rock stage theremin under a name Distant Voices.
More in my blog.


Electronic Orange: Diamond
Bare enclosure dimensions:

Height: 3.7 cm
Width: 9.2 cm
Lenght: 12 cm
Weight: 450 g

Power: 9 VDC
Current draw: 0.7 mA (+LED)
PRICE: 224 EUR / 244 USD
free shipping to most destinations
The waiting time is currently till May 2024.
Electronic Orange: DiamondElectronic Orange: DiamondElectronic Orange: Diamond
Review of the Diamond at gilmourish.com by Bjorn Riis.

Description & History

Diamond fuzz is based on classic silicon Fuzz Face, one of the most famous 60s / 70s fuzz boxes, which have been used by many star guitarists like Jimy Hendrix, David Gilmour or Duane Allman.
Despite my great admiration of Fuzz Faces, they’ve had a few features that never really worked well. I reworked them to my liking, and so it happened that the Diamond was born.

Original units used by: Jimy Hendrix, David Gilmour or Duane Allman
Controls: Volume, Color, Fuzzzz, Bass cut switch
Contemporary trend: LED, DC socket, True Bypass ON/OFF foot switch

Main features

main features

Diamond keeps more treble content than a classic Fuzz Face with the “Volume” knob being turned down.

“Color” knob cuts the top end. If you don’t like the thin, aggressive fizz on top of your fuzz tone, reduce it with this knob, making the tone creamier. With this knob turned all the way down, Diamond can be used with a bass guitar.

The classic Fuzz knob has been completely reworked. A classic Fuzz Face suffers from a massive gain jump at the last tiny bit of its path, which is hardly useful. Also, when you turn the classic Fuzz knob down, there is an audible treble loss, and the sound gets dull and muddy. The Diamond’s “Fuzzzz” knob ensures a smooth and balanced action all around, while the treble content stays almost intact.

The massive bass content of a classic Fuzz Face tone doesn’t really work well with the humbucker pickups. They generally need less bass and less gain to sound good. So, while the “Singles” position ensures the boomy Fuzz Face bass/gain tone, the “HBS” position comes with a bass/gain cut and improves the input impedance.

Diamond can be powered from either a 9V battery or a 9V power adapter of any output current capability. The barrel jack should be the 5.5/2.1 mm type, with the “negative centre” polarity.
Carbon-Zinc batteries are preferred, but any other type will do just fine. The battery will be disconnected by the input guitar jack being pulled out, or with the DC jack being plugged in.

A stock silicon Fuzz Face tone can be achieved by turning the ”Color” and ”Fuzzzz” knobs all the way up and flipping the switch to the “Singles” position.

Other features

There are two trim pots inside the pedal, which can be re-adjusted to your liking. One sets how much the “HBS” switch cuts the bass end, and the other one sets the character of the fuzz tone - it varies from a loud, somehow cleaner, and open-sounding to quiet, fuzzier and more compressed.

Diamond will greatly react to your guitar volume. You can regulate the amount of fuzz just with your guitar volume knob, just like with a classic Fuzz Face.

Diamond doesn’t like buffers in front of it. Buffers make it sound fizzy and deprive it of its lovely feature - the great guitar volume sensitivity. Some pedals (Boss) have active buffers even when they are “off” - those pedals don’t belong before Diamond. Diamond likes to “see” your guitar pickups, and so that for the best results, place it in front of other pedals, right after wah.

Classic Fuzz Faces are notorious for their low input impedance and thus very bad synergy with wahs. A wah placed before a classic Fuzz Face will go bananas and oscillate. Unlike a classic Fuzz Face, Diamond has a way to deal with this - simply turn the “Fuzzzz” knob a bit down, to make the wah behave, or switch to “HBS” if you please.

A classic Fuzz Face has a rather nasty hidden feature. It is its output impedance, which will steeply rise with the “Volume” knob being turned down towards its mid-value, where the output impedance reaches its maximum. This may cause a pedal placed after it to change its sound character when the fuzz is engaged. Diamond’s output was designed to minimize this effect.

Technical parameters

Current draw: 1.6 mA with LED on, 0.7 mA with LED off.
Input impedance at 1kHz:
- at “Singles”: 7 kΩ (max. “Fuzzzz”) - 105 kΩ (min. “Fuzzzz”)
- at “HBS”: 41 kΩ (max. “Fuzzzz”) - 110 kΩ (min. “Fuzzzz”)
Output Impedance at 1 kHz: 2 kΩ (max. “Vol.”) - 25 kΩ (mid “Vol.”).


  • 9V battery or power adapter (50-100mA at minimum)

  • DC socket for a standard 5.5/2.1 mm barrel jack, positive on the barrel, negative inside

  • The battery life will be extended by unplugging the input jack when the pedal is not in use. Plugging in a DC jack also disconnects the battery and saves its life.

Due to the airport security restrictions, i cannot include a battery.
Please use any kind of 9V battery, preferably a common zinc–carbon battery (for example Green Cell) for the best results, but any type will do.

The price includes

  • NOS BC183 transistors

  • 4 removable rubber feet

  • true bypass switching

  • foot switch by Cliff

  • low capacity jack sockets by Cliff

  • extremely durable battery clips by Cliff

  • thick wires

  • firm and durable internal design


The ToneQuest Report, September 2023 Vol.24 No.11

"Yes, we are fuzz hounds here at the TQR Mother Ship. So, when Jan’s Diamond arrived via global shipping to the front porch of the bungalow, we didn’t hesitate to uncork it for days on end.

It’s a silicon version with the BC183 transistors, same as the EJ fuzzes we have mentioned here so many times. Jan was interested in upping the bar with his take on the vintage fuzzes Hendrix and Gilmour used, by making a few tweaks to get it in sweeter zones. He sure did.

There are Volume, Color, and Fuzz knobs as well as a switch for buckers or single coils which flavors low end, so all guitars and amps play nice with each other. What’s lovely about it is that the sweep of the fuzz is usable throughout the range of it, instead of everything being poured on at the last second like many vintage Dallas Arbiters. He’s also added a pair
of internal trim pots for adjustments on the HB/Single coil pickup switch, and the other pot adjusts fuzz to allow for compression ranges and “openness.”

This is not a fuzz that has so much gain it melts down and collapses everything you’ve worked for. It is exceedingly creamy, smooth, and full-bodied, and loves being paired with Strats, as well as the 2010 Historic Custom Shop Gibson Goldtop dark back Les Paul here. It has an excellent clarity instead of the mud most produce, as Jan has voiced this pedal perfectly for pure early Gilmour vibes. It’s built like a tank and even the old school battery door on the back with heavy-duty clips and the true bypass show he is playing for keeps. This pedal is amazing with our vintage tube Echoplex, and the Diamond cleans up like no tomorrow with a gentle hand on the guitar volume knob.

We file this under, “Highly Recommended” for those who want their fuzzes to sustain and sing out."

ToneQuest Report web

Famous owners

Al Anderson of The Wailers uses our Diamond.
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